Hall of Shanmen

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Hall of Shanmen
Entrance to Jietai Temple (20150117133227).JPG
The Hall of Shanmen at Jietai Temple, in Beijing, capital of China.
Traditional Chinese殿
Simplified Chinese殿
Literal meaningHall of Three Liberation
Hall of Mount Gate

The Hall of Shanmen or Shanmen Hall (simplified Chinese: 山门殿; traditional Chinese: 山門殿; pinyin: Shānméndiàn), also known as Hall of Three Liberation or Hall of Mount Gate, is the gate of a Chinese Chan Buddhist temple. In ancient times, nearly all Chinese Buddhist temples had a Shanmen, as an important gate of the temple. After successive wars and cultural discontinuity, with only one gate, most of the existing ancient Buddhist temples usually follow the hall style or change the middle gate of the three main gates into a hall called "Hall of Shanmen".[1]

Architectural Style[edit]

General Heng (哼將軍) inside in the Shanmen Hall of Hongfa Temple, in Shenzhen, Guangdong, China.
General Heng (哈將軍) inside in the Shanmen Hall of Hongfa Temple, in Shenzhen, Guangdong, China.

Each niche on both sides of Shanmen Hall enshrines a statue of a heavenly deity with a Vajra in his hand, namely Nio, Buddha's warrior attendant, also known as "Yakasha Deity" (夜叉神) or "Zhijingang" (執金剛). Vajra originally refers to the short metal weapon of king of all heavenly deities Indra in Indian mythology and symbolizes solidness and sharpness in Buddhism. Nio is a Dharmapala who protects Buddhism with his Vajra in his hand.

Originally, there is only one Nio. However, in order to meet Chinese custom of being in pairs, Chinese people cast two Nio to safeguard the mount gate after the introduction of Buddhism from India to China in the Eastern Han Dynasty (25-220). The Nio are wearing crowns, ethereal clothes with their upper bodies exposed, with well-developed muscles and short skirts. The Nio have widely open eyes and protruding noses, holding weapons in their hands, and glaring the ground awesomely and angrily. The Nio, the right one, has its mouth open to pronounce the sound "a", while the other has it closed to utter the sound "hong". The symbolism is the same already seen. The generic name for statues with an open mouth is General Ha (哈將軍; Japanese: 阿吽), that for those with a closed mouth General Heng (哼將軍; Japanese: 阿形). "A" and "Hong", are the start and end sounds in Sanskrit, symbolizing the basis of sounds and bearing the profound theory of Dharma.[2][3]

References[edit]

  1. ^ Zi Yan (2012-08-01). Famous Temples in China. Beijing: Time Publishing and Media Co., Ltd. p. 25. ISBN 978-7-5461-3146-7.
  2. ^ Wei Ran (2012-06-01). Buddhist Buildings. Beijing: China Architecture & Building Press. ISBN 9787112142880.
  3. ^ Han Xin (2006-04-01). Well-Known Temples of China. Shanghai: The Eastern Publishing Co. Ltd. ISBN 7506024772.

Further reading[edit]

  • Wang Guixiang (2016-06-17). 《中国汉传佛教建筑史——佛寺的建造、分布与寺院格局、建筑类型及其变迁》 [The History of Chinese Buddhist Temples] (in Chinese). Beijing: Tsinghua University Press. ISBN 9787302427056.
  • Zhang Yuhuan (2014-06-01). 《图解中国佛教建筑、寺院系列》 (in Chinese). Beijing: Contemporary China Publishing House. ISBN 9787515401188.

External links[edit]