Robert A. Nakamura

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Robert Akira Nakamura (born July 6, 1937, Venice, California) is a filmmaker and teacher, sometimes referred to as "the Godfather of Asian American media."[1][2] In 1970 he cofounded Visual Communications (VC) the oldest community-based Asian Pacific American media arts organization in the United States.


Nakamura was born in Venice, California to an Issei father and Nisei mother. He is a graduate of Art Center College of Design (B.A., 1966) and the UCLA School of Theater, Film and Television (M.F.A., 1975). He left a successful career in photojournalism and advertising photography to become one of the first to explore, interpret and present the experiences of Japanese Americans in film. He is married to his longtime producing partner, Karen Ishizuka and has two children, Thai Binh and Tadashi, who is also a filmmaker.


Nakamura's personal documentary Manzanar (1972) revisited childhood memories of incarceration in an American concentration camp during World War II and has been selected for major retrospectives on the documentary form at the San Francisco Museum of Art and Film Forum, Museum of Contemporary Art, Los Angeles. In 1980 he co-directed Hito Hata: Raise the Banner, considered to be one of the first Asian American feature films, produced by and about Asian Americans. He is the recipient of more than 30 national awards. He was the first to receive Visual Communications' Steve Tatsukawa Memorial Award in 1985 for leadership in Asian American media. In 1994 the Asian Pacific American Coalition in Cinema, Theatre & Television of UCLA instituted the "Robert A. Nakamura Award" to recognize outstanding contributions of other Asian Pacific American visual artists. In 1996 he founded the UCLA Center for EthnoCommunications where he serves as director and professor.[3] In 1997, the Smithsonian Institution presented a retrospective of his work. Also that year he created (with Ishizuka) the Frank H. Watase Media Arts Center at the Japanese American National Museum. In 1999 he was named to the endowed chair in Japanese American studies at UCLA.


  • Manzanar (1972)
  • Wataridori: Birds of Passage (1975)
  • Hito Hata: Raise the Banner (1980)
  • Fool's Dance (1980)
  • Moving Memories (1993)
  • Looking Like the Enemy (1995)
  • Toyo Miyatake: Infinite Shades of Gray (2002)


  1. ^ "JANM Announces Honorees and Theme for 2016 Annual Gala Dinner". Japanese American National Museum. Retrieved 5 November 2016.
  2. ^ "Tribute Reel to Robert Nakamura: Godfather of Asian American Media". Center for Asian American Media. Retrieved 5 November 2016.
  3. ^ AASC site at

External links[edit]