Roy Rudolph DeCarava
December 9, 1919
|Died||October 27, 2009(aged 89)|
|Known for||fine-art photography|
|The Sound I Saw,|
The Sweet Flypaper of Life
|Awards||Guggenheim Fellowship, |
National Medal of Arts
Roy DeCarava (December 9, 1919 – October 27, 2009) was an African American artist. DeCarava received early critical acclaim for his photography, initially engaging and imaging the lives of African Americans and jazz musicians in the communities where he lived and worked. Over a career that spanned nearly six decades, DeCarava came to be known as a founder in the field of black and white fine art photography, advocating for an approach to the medium based on the core value of an individual, subjective creative sensibility, which was separate and distinct from the "social documentary" style of his predecessors.
Early life and education
After graduating from Textile High School in New York City in 1938, DeCarava independently began working as a visual artist. He continued his formal education at Cooper Union (1938–1940) where he studied painting. DeCarava expanded upon this early training at the Harlem Art Center (1940–1942) as well as the George Washington Carver Art School, where in addition to painting he began to experiment with printmaking. DeCarava first began to use photography as a means to record and as reference for his paintings, but was so enthralled by the medium that he began devoting all of his time to it and championed black and white silver gelatin photography as an art form of its own.
Career in fine art photography
DeCarava produced five published art books, including The Sound I Saw and The Sweet Flypaper of Life, as well as landmark museum catalogs and retrospective surveys from the Friends of Photography and the Museum of Modern Art in New York. The subject of at least 15 solo art exhibitions, DeCarava was the first African-American photographer to win a Guggenheim Fellowship and as a result of the fellowship, was able to photograph his community and New York City for one year; expressing early creative impressions through the black and white silver gelatin process. Gradually, DeCarava became known for his dedication to the field of visual art and for his own work within it, including many distinctive black and white, silver gelatin photographs of great American musicians. His work also appeared on several record album covers, such as Porgy and Bess, by Miles Davis, Bless this House, by Mahalia Jackson, Flamenco Fire by Carlos Montoya, and Big Bill's Blues, by Big Bill Broonzy.
DeCarava encouraged other fine art photographers and believed in the accessibility of the medium. From 1955 to 1957, at his own expense, he established and supported A Photographer's Gallery in his apartment in a brownstone block at 48 West 85th Street, New York, in which was shown artwork by the great names of American photography of the period. In 1963, he co-founded and became the first director of the Kamoinge Workshop, a Harlem-Based collective that supported the work of black photographers through exhibitions, public programs, group critiques, and published portfolios.
In 1972 DeCarava received the Benin Creative Photography Award for his contributions to the black community as a creative photographer.
DeCarava died in New York on October 27, 2009.
Art historical context and commentary
Coming of age in the 1940s, DeCarava appears nothing short of iconoclastic in both his approach to photography, a medium strenuously identified with evidentiary truth, and in his aesthetic ambitions to, as he said, “break through a kind of literalness,” and “express some things I felt.” Maintaining his quest to create a visually autonomous photographic subject of color, DeCarava endured decades of embittering misunderstanding. He has pointed out over and over that despite his “reputation as a documentar[y] photographer, … I really never was,” and reiterated his steadfastly modernist concern to achieve “a creative expression,” rather than a “documentary or sociological statement.”
His largest work is Roy DeCarava: A Retrospective, over 200 black and white photos spanning the late 1940s to the present. Another work of Roy’s is The Sweet Flypaper of Life. Published in 1955, it is a pictorial narrative of family life in Harlem with photographs by DeCarava and text by Langston Hughes. Roy speaks on the piece by saying ”in spite of poverty, you see people with dignity and a certain quality that contrasts with where they live and what they’re doing.” His Guggenheim fellowship helped fund the project while he spent a full year shooting the photographs for the book. He focused on shooting experiences that everybody can relate to.
- 1950-One man photography show at Forty-Fourth Street Gallery, New York City
- 1951-One man photography show at Countee Cullen Branch Library, New York City
- 1953-"Always the Young Stranger"-Museum of Modern Art, New York City
- 1955-"Family of Man"-Museum of Modern Art, New York City
- 1957-"70 Photographers Look at New York"-Museum of Modern Art, New York City
- 1960-"New Acquisitions"-Museum of Modern Art, New York City
- 1964-"The Photographer's Eye"-Museum of Modern Art, New York City
- 1965-"Edward Steichen Center/Fine Art Photographs"-Museum of Modern Art, New York City
- 1965-"Photography in the Fine Arts #1"-Museum of Modern Art, New York City
- 1969-"Thru Black Eyes"-Studio Museum, Harlem
- 1970-"Roy DeCarava/Photographs"-Sheldon Memorial Art Center, University of Nebraska
- 1974-"Photography in America"-Whitney Museum of American Art, New York City
- 1976-"The Nation's Capital in Photographs"-The Corcoran Gallery of Art, Washington D.C.
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DeCarava's work is held in the following permanent public collections:
- The Metropolitan Museum of Art, New York
- The Museum of Modern Art, New York
- Art Institute of Chicago
- Sheldon Memorial Art Gallery, University of Nebraska, Lincoln
- Andover Art Gallery, Andover-Phillips Academy, Massachusetts
- Atlanta University, Georgia
- Joseph E. Seagram & Sons, Inc., New York
- Belafonte Enterprises, Inc., New York
- Detroit Institute of Arts
- Portland Art Museum
- San Francisco Museum of Modern Art
- The Museum of Fine Arts, Houston
- Philadelphia Museum of Art
- Museum of Fine Arts Boston
- Harvard Art Museums
- Stanford University Cantor Arts Center
- The Nation's Capital in Photographs, Corcoran Gallery of Art, 1976. By John Gossage. Edition of 3000 copies.
- Roy DeCarava, Photographs. Edited by James Alinder, Friends of Photography, 1981. ISBN 9780933286276.
- Roy DeCarava, A Retrospective. Museum of Modern Art, New York, NY 1996. ISBN 9780870701269.
- The Sound I Saw: Improvisation on a Jazz Theme. Phaidon, 2000. ISBN 9780714841236.
- Ralph Eugene Meatyard. New York: International Center of Photography, 2004. ISBN 9783865210654. Introduction by Cynthia Young.
- Kennedy, Randy (October 28, 2009). "Roy DeCarava, Harlem Insider Who Photographed Ordinary Life, Dies at 89". The New York Times. ISSN 0362-4331. Retrieved November 11, 2015.
- DeCarava, Roy; Hughes, Langston. The sweet flypaper of life (Fourth English language ed.). New York. ISBN 9780999843826. OCLC 1050864329.
- Roy DeCarava and Langston Hughes, The Sweet Flypaper of Life. Washington DC: Howard University Press, 1984 (reprint).
- "Museum of Modern Art", American Visions, December 1999. Accessed August 23, 2009.
- Smalls, James (January 1, 2017). "DeCarava, Roy". www.oxfordartonline.com. Retrieved January 1, 2017.
- Total records : photography and the art of the album cover. Beaupré, Antoine de,, Vincendet, Serge,, Stourdzé, Sam,, Denis, Jacques, 1966-, Mondino, Jean-Baptiste, 1949- (First Aperture ed.). New York, N.Y.: Aperture. ISBN 9781597113847. OCLC 948670847.CS1 maint: others (link)
- Borgerson, Janet; Schroeder, Jonathan (2017-11-01). "Recovering and Discovering Album Cover Artists and Photographers". MIT Press blog. MIT Press. Retrieved 2018-04-22.
- National Endowment for the Arts. 2006 National Medal of Arts. Roy DeCarava. Photographer, New York Archived 2008-10-06 at the Wayback Machine. Accessed August 23, 2009.
- Scott, Dread. "An Interview with Roy DeCarava". A Gathering of the Tribes. Brooklyn, New York: A.G.O.T.T. Archived from the original on 2005-02-23.CS1 maint: BOT: original-url status unknown (link)
- https://lens.blogs.nytimes.com/2016/01/07/kamoinges-half-century-of-african-american-photography// "Kamoinge's Half Century of African American Photography", New York Times, January 7, 2016.
- DeCarava, Roy (1976). Roy DeCarava : February 14-May 9, 1976, the Corcoran Gallery of Art, Washington, D.C. The Gallery. OCLC 2523133.
- Abbie Fentress Swanson, "Photographer Roy DeCarava Dies at 89", WQXR News, October 30, 2009.
- Stange, Maren (May 29, 2017). "Essay Post 5: Roy DeCarava". marenstange.com. Quotes from the artist, Roy DeCarava. Retrieved 7 June 2017.
- Robinson, Fern. "MASTERFUL AMERICAN PHOTOGRAPHER ROY DECARAVA." American Visions, vol. 14, no. 6, 1999, p. 20. Academic
- DeCarava, Roy (1975). Roy DeCarava : photographs : the Museum of Fine Arts, Houston, September 12 - October 26, 1975. The Museum. OCLC 222934060.
- "Search / All Results". www.metmuseum.org. Retrieved 2019-03-21.
- "Roy DeCarava". The Museum of Modern Art. Retrieved 2019-03-21.
- "Roy DeCarava". The Art Institute of Chicago. Retrieved 2019-03-21.
- "Art: Collection Search". www.dia.org. Retrieved 2019-03-21.
- "Roy DeCarava · SFMOMA". www.sfmoma.org. Retrieved 2019-03-21.
- "Search". www.mfah.org. Retrieved 2019-03-21.
- "Collections Search". Museum of Fine Arts, Boston. Retrieved 2019-03-21.