The Damned Don't Cry
|The Damned Don't Cry|
Theatrical release poster
|Directed by||Vincent Sherman|
|Produced by||Jerry Wald|
|Screenplay by||Harold Medford|
and Jerome Weidman
|Based on||Story by Gertrude Walker|
|Music by||Daniele Amfitheatrof|
|Cinematography||Ted McCord, A.S.C.|
|Edited by||Rudi Fehr|
|Distributed by||Warner Bros. Pictures|
The Damned Don't Cry is a 1950 American film noir crime-drama directed by Vincent Sherman and featuring Joan Crawford, David Brian, and Steve Cochran. It tells of a woman's involvement with an organized crime boss and his subordinates. The screenplay by Harold Medford and Jerome Weidman was based on the story "Case History" by Gertrude Walker. The plot is loosely based on the relationship of Bugsy Siegel and Virginia Hill. The film was directed by Vincent Sherman and produced by Jerry Wald. The Damned Don't Cry is the first of three cinematic collaborations between Sherman and Crawford, the others being Harriet Craig (1950) and Goodbye, My Fancy (1951).
Ethel Whitehead (Crawford) is a weary housewife living at the edge of the Texas oil fields. When her young son is killed in a bicycle accident, she leaves her laborer husband Roy (Egan) for the big city. She quickly learns to use her physical charms to get ahead. In cahoots with bookkeeper friend Martin Blackford (Smith), Ethel works her way into the entourage of George Castleman (Brian), a mobster who enjoys an elegant lifestyle. With the help of socialite Patricia Longworth (Royle), Castleman grooms Ethel in the arts of cultured living. After making her his mistress, he tries to use her to trap his arch-rival Nick Prenta (Cochran). The trap fails when Ethel falls in love with Prenta. The betrayed Castleman kills Prenta and goes gunning for Ethel but dies in a shootout with Blackford.
- Joan Crawford as Ethel Whitehead/Lorna Hansen Forbes
- David Brian as George Castleman
- with Steve Cochran as Nick Prenta
- Kent Smith as Martin Blackford
- Hugh Sanders as Grady
- Selena Royle as Patricia Longworth
- Jacqueline de Wit as Sandra
- Morris Ankrum as Mr. Whitehead
- Edith Evanson as Mrs. Castleman
- Richard Egan as Roy
- Uncredited (in order of appearance)
- Tom Greenway………Deputy
- Dabbs Greer………Reporter
- Herschel Daugherty………Rewrite man
- Ned Glass………Taxi driver
- Kathryn Card………Mrs. Sullivan
- Ralph Sanford………Norman Riley
- Herb Vigran………Vito Maggio
- Tris Coffin………Maitre d'hotel
- Weldon Heyburn………Butler
- Rory Mallinson………Johnny Enders
- John Maxwell………Doctor
- Strother Martin....Springboard Diver
According to Variety the film earned $1.4 million in the US and Canada in 1950.
When the film was released, the reviews were mixed, even though the box office was considered good. The New York Times film critic, Bosley Crowther, was tough on the film in his review. He wrote, "Miss Crawford as the 'fancy lady' runs through the whole routine of cheap motion-picture dramatics in her latter-day hard-boiled, dead-pan style ... A more artificial lot of acting could hardly be achieved" He added, "And Kent Smith, as a public accountant whom Miss Crawford lures into the syndicate, plays a Milquetoast so completely that his whole performance seems a succession of timid gulps. Steve Cochran as a tricky West Coast mobster and Selena Royle as a vagrant socialite do their jobs in a conventional B-story, A-budget way. Vincent Sherman's direction is as specious as the script."
Modern critics are generally more sympathetic. James Travers in 2012 said: "It is not hard to account for the popular appeal of The Damned Don't Cry. The plot may be far-fetched and the characters absurdly exaggerated, but the film is otherwise well-constructed (using the familiar film noir device of the extended flashback) and well-performed by a well-chosen ensemble of acting talent.
Film critic Craig Butler called the film "a ridiculous melodrama that is fairly poor as real drama but is quite enjoyable as camp." He added, "Damned starts out as if it were one of Crawford's earlier 'poor gal makes good' flicks, but it quickly becomes lurid and unbelievable. As is often the case in her later vehicles, Damned finds Crawford in a one-dimensional world and asks that she find ways of giving the illusion of depth to her character."
Critic Dennis Schwartz liked the film, Crawford's work and its direction. He wrote, "A dreary crime drama following the formula of Flamingo Road, which also starred Joan Crawford. It is efficiently directed by Vincent Sherman ... Joan Crawford gives a solid performance as the gangster's moll who discovers when it's too late that she took the wrong path."
Slant magazine film critic, Jeremiah Kipp, said of the film, "The direction by hack Vincent Sherman is adequate and humble before Joan, though some scenes feel like the transition into the editing room was hardly smooth. (At least two insert shots feel wobbly and jarring.) But Crawford gets what she wants, and that's all we really came for, no? Like the star in question, this diva showcase knows what it is and what it's good at. If you don't like it, why are you still here?"
The title is also the name of a song by Visage (1982). She also had a self developed make-up approach which gave her an exclusive face as an actress in Hollywood.
- Warner Bros financial information in The William Shaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p 30 DOI: 10.1080/01439689508604551
- The Damned Don't Cry! at the American Film Institute Catalog.
- IMDb business section. Accessed: August 16, 2013.
- "Top Grosses of 1950". Variety. January 3, 1951. p. 58.
- Crowther, Bosley. The New York Times, film review, April 8, 1950. Accessed: August 16, 2013.
- James Travers. Films de France, film review.
- Butler, Craig. Allmovie by Rovi, film/DVD review, no date. Accessed: August 16, 2013.
- Schwartz, Dennis. Ozus' World Movie Reviews, film review, November 10, 2004. Accessed: August 16, 2013.
- Kipp, Jeremiah. Slant Magazine, film review, June 12, 2005. Accessed: August 16, 2013.