|Industry||Film and TV|
Twickenham Studios (formerly known as Twickenham Film Studios) is a film studio in St Margarets, in the London Borough of Richmond upon Thames, that is used by various motion picture and television companies. It was established in 1913 by Dr Ralph Jupp on the site of a former ice-rink. At the time of its original construction, it was the largest film studio in the United Kingdom.
In February 2012, it was announced that due to the studio going into administration, it would close before June, just a year before its centenary. The studio was subsequently saved from closure, with a new owner acquiring the studio in August 2012.
In 1913 the studios were constructed by the newly-formed London Film Company, and were at that time the largest in Britain. London Film was a leading producer during the First World War, but the company struggled and went out of business in 1920. Twickenham Studios were sold off, and were used for various independent productions.
During the 1930s, the studio was run by Julius Hagen. Hagen built up his business making Quota quickies for major American studios who were required by law to produce a certain number of British films each year to be allowed to release their pictures into the lucrative British market. Hagen became very efficient at producing large numbers of these quickies of varying quality. He often filmed all day, and then brought in different crews and actors to work through the night.
Following the success of Alexander Korda's The Private Life of Henry VIII (1933), Hagen became interested in producing films which could be released in America. Twickenham took on more quality work such as the Gracie Fields vehicle This Week of Grace. This ultimately led Hagen to stop making quickies entirely and focus entirely on quality productions. He began to make more expensive films such as Seymour Hicks's Scrooge (1935) and Spy of Napoleon for which he hoped to gain an international market. Hagen spent £100,000 rebuilding Twickenham Studios and acquired studios in other parts of London. He also broke with his established distributors and attempted to distribute his own films. This proved a mistake, the major American studios blocked his entry into their market, while his films failed to gain access in the British market. In 1937 Hagen's company went bankrupt as part of a wider slump in British filmmaking that year bringing an end to his reign at Twickenham.
In 1946 Alfred Shipman formed Alliance Film Studios Limited, controlling Riverside, Southall and Twickenham Film Studios. After his death in 1956 his two sons: Gerald (father of Piers Flint-Shipman) and Kenneth Shipman took control of the studios with Kenneth later going on to form Alliance Film Distributors.
In the 1960s classic films such as Alfie (1966) starring Michael Caine, The Italian Job (1969), featuring Caine and Noël Coward, and Roman Polanski's first English language film Repulsion (1965) were made at Twickenham. Be My Guest (also 1965), features Jerry Lee Lewis, an early appearance by the young actor Steve Marriott and The Nashville Teens. The first two Beatles feature films were made at Twickenham A Hard Day's Night (1964) and Help! (1965), and also their promotional film for Hey Jude (1968). The Beatles used the studios while rehearsing music for their album Let It Be. A film was made of some of the sessions and both the film and the album were released in 1970.
In the 1980s, the studio was used for The Mirror Crack'd, An American Werewolf in London (1981), Blade Runner (1982), and A Fish Called Wanda (1988). Later films include The Others (2001), The Crucible (1996), and Sweet Revenge (1998).
Twickenham Studios has three stages that are sound-proofed and operate on a 'four wall' basis. Dressing rooms, star apartments, make-up, hairdressing and wardrobe departments and camera rooms are situated adjacent to each stage, with nearby prop rooms, art departments and office suites. The largest, Stage 1, has a concrete water tank, housed underneath the floor boards. A camera pit at one end allows underwater viewing through a glass screen. This stage has been used for innumerable films, including the two Beatles films, A Hard Day's Night and Help!, also An American Werewolf in London (1981) and A Fish Called Wanda (1988). Kenneth Branagh's Sleuth (2007) was shot on this stage. Films shot on Stage Three include Roman Polanski's Repulsion, Karel Reisz's The French Lieutenant's Woman (1981), and Lewis Gilbert's Shirley Valentine (1989). Later films include, Layer Cake (2004) directed by Matthew Vaughn and Love in the Time of Cholera (2007), directed by Mike Newell. The thriller Before I Go To Sleep (2014), written and directed by Rowan Joffé, which features Nicole Kidman and Colin Firth was shot at the studios early in 2013.
The studios' post production facilities include a state-of-the-art Sound Centre, at the heart of which is the refurbished The Richard Attenborough Theatre, named after Richard Attenborough who used to have his production offices at the studios.
It is one of the studios in the UK which has been Dolby Premier Certified. Other facilities include a second dubbing theatre, ADR / Foley Theatre, numerous cutting rooms, office facilities and sound transfer facilities.
Films that have used the facilities, production and post production, include:
- Spice World (1997)
- Reign of Fire (2002)
- Nicholas Nickleby (2002)
- In America (2002)
- Imagining Argentina (2003)
- Calendar Girls (2003)
- Mona Lisa Smile (2003)
- Wimbledon (2004)
- Stage Beauty (2004)
- Laws of Attraction (2004)
- Mindhunters (2004)
- Around the World in 80 Days (2004)
- Resident Evil: Apocalypse (2004)
- Derailed (2005)
- Sahara (2005)
- Renaissance (2006)
- The Magic Flute (2006)
- Closing the Ring (2007)
- 1408 (2007)
- Elizabeth: The Golden Age (2007)
- Me and Orson Welles (2008)
- Flashbacks of a Fool (2008)
- Inkheart (2008)
- The Other Man (2008)
- Killshot (2008)
- Angels & Demons (2009)
- My One and Only (2009)
- Burke & Hare (2010)
- Jackboots on Whitehall (2010)
- Kick-Ass (2010)
- Bonded by Blood (2010)
- The Debt (2010)
- Wild Target (2010)
- The Best Exotic Marigold Hotel (2011)
- War Horse (2011)
- Horrid Henry: The Movie (2011)
- Albatross (2011)
- The Iron Lady (2011)
- My Week with Marilyn (2011)
- Bel Ami (2012)
- The Wedding Video (2012)
- Outside Bet (2012)
- All in Good Time (2012)
- Before I Go To Sleep (2013)
- World War Z (2013)
- Syrenia (2015)
- Victor Frankenstein (2016)
TV shows that have used the facilities, production and post production, include:
- "Our history - Twickenham Studios". www.twickenhamstudios.com. Archived from the original on 1 February 2018. Retrieved 7 May 2018.
- "Twickenham film studios set to close Archived 20 February 2012 at the Wayback Machine", BBC News, 20 February 2012
- Nikkhah, Roya (19 February 2012). "'Cherished' piece of film history lost as Twickenham Film Studios close". Archived from the original on 9 February 2018. Retrieved 7 May 2018 – via www.telegraph.co.uk.
- "Sale of Twickenham Studios confirmed". Your Local Guardian. Archived from the original on 4 March 2016. Retrieved 7 May 2018.
- Richards p.42
- History: Twickenham Film Studios website Archived 2 October 2011 at the Wayback Machine
- "Marc Sinden on John Lennon: We were in the presence of God". Liverpool Daily Post. 6 March 2009. Archived from the original on 10 March 2009. Retrieved 7 March 2009.
- Empire Online: Colin Firth Joins Before I Go To Sleep, A reunion with Nicole Kidman Written by James White, 7 February 2013. Source: Variety
- Variety: Firth, Kidman to star in 'Before I Go to Sleep' Archived 8 February 2013 at the Wayback Machine Written by Robert Mitchell, 6 February 2013.
- "Archived copy". Archived from the original on 17 June 2012. Retrieved 12 October 2012.CS1 maint: Archived copy as title (link)
- "Archived copy". Archived from the original on 14 March 2013. Retrieved 12 October 2012.CS1 maint: Archived copy as title (link)
- "End credits – Agatha Christie's Poirot (Season 02 episode 07)". youku.com. Archived from the original on 16 April 2018. Retrieved 19 June 2017.
- Richards, Jeffrey (ed.). The Unknown 1930s: An Alternative History of the British Cinema, 1929–1939. I.B. Tauris & Co, 1998.