Philip FreneauOne poet, Philip Freneau, incorporated the new stirrings of European Romanticism and escaped the imitativeness and vague universality of the Hartford Wits. The key to both his success and his failure was his passionately democratic spirit combined with an inflexible temper.
The Hartford Wits, all of them undoubted patriots, reflected the general cultural conservatism of the educated classes. Freneau set himself against this holdover of old Tory attitudes, complaining of "the writings of an aristocratic, speculating faction at Hartford, in favor of monarchy and titular distinctions." Although Freneau received a fine education and was as well acquainted with the classics as any Hartford Wit, he embraced liberal and democratic causes.
From a Huguenot (radical French Protestant) background, Freneau fought as a militiaman during the Revolutionary War. In 1780, he was captured and imprisoned in two British ships, where he almost died before his family managed to get him released. His poem "The British Prison Ship" is a bitter condemnation of the cruelties of the British, who wished "to stain the world with gore." This piece and other revolutionary works, including "Eutaw Springs," "American Liberty," "A Political Litany," "A Midnight Consultation," and "George the Third's Soliloquy," brought him fame as the "Poet of the American Revolution."
Freneau edited a number of journals during his life, always mindful of the great cause of democracy. When Thomas Jefferson helped him establish the militant, anti-Federalist National Gazette in 1791, Freneau became the first powerful, crusading newspaper editor in America, and the literary predecessor of William Cullen Bryant, William Lloyd Garrison, and H.L. Mencken.
As a poet and editor, Freneau adhered to his democratic ideals. His popular poems, published in newspapers for the average reader, regularly celebrated American subjects. "The Virtue of Tobacco" concerns the indigenous plant, a mainstay of the southern economy, while "The Jug of Rum" celebrates the alcoholic drink of the West Indies, a crucial commodity of early American trade and a major New World export. Common American characters lived in "The Pilot of Hatteras," as well as in poems about quack doctors and bombastic evangelists.
Freneau commanded a natural and colloquial style appropriate to a genuine democracy, but he could also rise to refined neoclassic lyricism in often-anthologized works such as "The Wild Honeysuckle" (1786), which evokes a sweet-smelling native shrub. Not until the "American Renaissance" that began in the 1820s would American poetry surpass the heights that Freneau had scaled 40 years earlier.